PRODUCTION HISTORY

2017-2019 and 2022-2023

Directed by Jeffrey B. Moss, and filled with humor, positivity and messages about the importance of friendship and self-love, the production is a sweet treat for audience members of all ages.

“LEGALLY BLONDE is a sweet and sassy homage to its film counterpart”
– Milwukee Magazine (REVIEW)

2021-2022

Love transcends the harsh realities of war and prejudice in this sweeping Pulitzer Prize-winning tale centered around two unlikely love affairs. Set on a tropical island during World War II, this timeless Rodgers & Hammerstein classic features some of the most beautiful music ever composed woven into an inspiring story cherished the world over.

2021-2022

In post war Paris, romance is in the air and youthful optimism reigns. Gershwin’s soaring melodies are matched by gravity-defying dance as the world rediscovers the power of love in this breathtaking production. Hoping to start a new life, World War II veteran Jerry Mulligan chooses newly-liberated Paris as the place to make a name for himself as a painter. But Jerry’s life becomes complicated when he meets Lise, a young Parisian shop girl with her own secret – and realizes he is not her only suitor.

2019-2020

2012-2013

“Exceptionally well produced and performed. It is an experience that is not to be missed.”
– BroadwayWorld

“DREAMGIRLS has the spectacle and the heart.”
– Salt Lake City Standard Examiner

“DREAMGIRLS is thrilling night of theater and music.”
– Lexington Leader-Herald

2018-2019

The traveling production is produced by Big League Productions and features Michael Bennett’s original work restaged by the legendary Baayork Lee.

“Tony Award-winning A CHORUS LINE remains a powerful testament to the human spirit.”
– The Albuquerque Journal

Winters 2010-2019

“An extraordinary performance! 100 times better than any bedside story.”
– The New York Times

“An awesome first Broadway musical for kids! A bright, tuneful, neatly packaged expansion of the book.”
– The Record 

“The most loveable Christmas villain of them all! This Grinch brings the Dr. Seuss classic fancifully to life – you might find your heart growing a few sizes, too.”
– Associated Press

2011-2012

2016

2014

“I suppose it was at the moment when Friday night’s Popejoy Hall audience gave a standing ovation to the cast of the touring company of MY FAIR LADY that I awoke from the dream. I dreamt I was in a Broadway theater watching a re-imagined production of this venerable musical. What a terrific show, with fresh interpretations of story, music, dancing, costumes, sets & lighting.”
– Albuquerque Journal

“The touring production of MY FAIR LADY follows tradition with beautiful sets, gorgeous costumes, a chorus with a tight sound and a strong cast. Two of the leads, Aurora Florence (Eliza) and Daniel Cardenas (Freddy), are fresh out of college. Based on performance alone, they seem more fit for Broadway, with Florence’s clear, clean voice and Cardenas’ romantic tenor voice.”
– Fresno Bee

2011 and 2014-2015

“GUYS AND DOLLS remains a giddy crowd-pleaser and a likable all-ages show. Frank Loesser’s music is always a winner!”
– The Atlanta Journal

“This snappy new touring production brilliantly captures both the improbably lovable gangsters and the hilariously energetic silliness of the original.”
– Washington DC Theatre Scene

“If you go to musicals for the singing, this classic show is a humdinger, even after more than 60 years!”
– The Dallas Morning News

2013-2014

“As you’d expect, [BRING IT ON: THE MUSICAL] features unbelievable displays of acrobatics and gymnastic abilities, including but not limited to young girls being flipped high in the air. But it also proves to be a surprisingly well-crafted, highly enjoyable, feel-good musical with appealing characters, catching R&B and rap songs, fierce hi-hop choreography (by Andy Blankenbueler) and very funny dialogue packed with social media jokes.”
– AM New York

2013

“In-your-face earnestly, cheerfully so.”
– Kalamazoo Gazette

“Actors…committed themselves with high energy and palpable feeling to a show that can still move an audience.”
– Kansas City Star

“The show was performed flawlessly…If you want to take a trip through time HAIR is the way to go”
– Kansas City Examiner

2011-2012

2006-2007

“The principal performers are uniformly excellent, as are the projections, the scenic design, the lighting and overall production vitality.”
– Dayton Daily News

“This was a magnificent production that the audience rewarded with an unquestioned and spontaneous standing ‘O’.”
– The Daily Gazette Schenectady

“The rock musical by Elton John and Tim Rice reverberates with a restless African beat and intense, soaring vocals. A kaleidoscope of brilliant lighting effects sets the stage on fire while an ensemble of frenetic dancers fan the flames.”
– Grand Rapids Press

2009

“Inspirational! GROOVALOO explodes laws of physics”
– Los Angeles Times

“Highly contagious Freestyle dancing”
– LA Weekly

2008-2009

“The joint was jumpin’ last night at the Strand Theatre, with a loud, bold, brassy staging of AIN’T MISBEHAVIN’, the Fats Waller revue, on its 30th anniversary tour. “American Idol” season 2 winner Ruben Studdard stomped and crooned on the renovated stage.”
– Boston Globe

“AIN’T MISBEHAVIN’ sparkles so brightly and so vividly that you would think you had just seen a full-blown musical.”
– Albuquerque Journal

“ The Strand Theatre kicked off its spring season with the Tony Award-winning musical AIN’T MISBEHAVIN’ last night, the first of a three-night engagement, and good luck to anyone hoping to live up to that standard.”
– Boston Herald

2008-2009

“The creative team have conjured up quite a few moments to enjoy. The production values are high, the sets and props are rich in colour and entertainment.”
– Toronto Star

“The stagecraft that makes the roadster fly in CHITTY CHITTY BANG BANG is pretty close to magical”
– The Sun Sentinel

“A lush, inventive fairy tale that will dazzle audiences”
– Variety

2006

2005

1996

1995-1997

“It is difficult to conceive of any production of 42ND STREET being more professional, fun or dazzling than the one currently on tour.”
– Lubbock Avalanche-Journal

“42ND STREET dazzles audiences.”
– Springfield News-Leader

2004

2004-2006

“TOMMY, the stunning new stage adaption of the 1969 rock opera by the British group The Who is at long last the authentic rock musical that has eluded Broadway for two generations. A collaboration of its original principal actor, Pete Townshend, and the director, Des McAnuff, this show is not merely an entertainment juggernaut, riding at full tilt on the visual and musical highs of its legendary pinball iconography and irresistible tunes, but also a surprisingly moving resuscitation of the disturbing passions that made TOMMY an emblem of its era..”
– The New York Times

2002-2006

“…a young, vocally proficient cast, a terrific Engineer and a truly striking new design concept. This looks like a big profit center for Big League and presenters.”
– Variety

“Employing computerized effects and high-tech video imaging, the huge, clear and three dimensional appearing projected helicopter far exceeds the impact of the heavy, laughably overhyped, truncated contraption seen in the original Broadway production. Lemsky’s extraordinarily fine production miraculously prevailed.”
– TalkinBroadway

“MISS SAIGON fills the eye and melts the heart.”
– Edmonton Sun

2005-2006

“The spectacle, making its North American tour debut here, is an exuberant 15-number show that doesn’t falter while bridging the categories of classical, blues, jazz, rock n roll, and techno-pop music. BLAST stands, blows, pounds, marches, and whirls with panache. It sent what seemed to be a full house into repeated bursts of cheering and applause. The thrill of seeing sheer virtuosity in a different kind of art form. It is entertainment of a high order.”
– Boston Globe

“BLAST ultimately leaves its audience begging for more.”
– Post-Dispatch

2001-2004

“THE MUSIC MAN that opened here last night is infinitely better than the one that premiered on Broadway in 2000. It’s better staged, better sung, better acted and comparably danced. It is certainly better housed in Boston; the multiple sets that make up River City, Iowa, fit the Colonial Theatre like a glove.”
– Boston Globe

“Not only does [THE MUSIC MAN] sparkle with a youthful and talented cast – whose big voices, distinctive characterizations and splendid dancing are ideally suited to this re-envisioned but unquestionably old-fashioned musical – but its richly layered scenery and sumptuous costumes are top-drawer.”
– Chicago Sun-Times

2001-2002

“One of the most majestic musical scores ever written for a Broadway stage by Maury Yeston.”

“The intimate attachment to the characters is one of the TITANIC’s unique artistic achievements.”

2000-2002

2000

“Broadway-bright, full of vivid and appealing young performers…High voltage energy onstage.”
– Cleveland Plain Dealer

“I was a fan of the movie and its killer soundtrack…But I love the high-energy musical even more. From the moment the cast took the multi-colored stage to the strains of FOOTLOOSE, I was mesmerized.”
– The Chronicle-Telegram

2000-2001

As popularized by Disney in 1953 and in Broadway in 1954, this is the story of a young adventurous lad, originally put on paper over a century ago by Sir J.M. Barrie. Peter and his group of Lost Boys live in Neverland, where they battle pirates, Indians, all the while never growing up.

“This high-flying Tony Award-winning musical has been performed around the world and delighted audiences for 60 years.”

1999-2000

1776, a musical portrait of squabbling politicians.

“The musical shows the likes of John Adams, Benjamin Franklin and Thomas Jefferson as we’ve never seen them before – with humor and humanity.”

1998-2000

The musical’s plot relates the experiences of Anna, a British schoolteacher hired as part of the King’s drive to modernize his country.